I don't understand why talented actors like Shahid Kapoor and veterans like his father would sign a project which introduces the characters using ugly cartoons. Then there is a cameo by Karan Johar, and I was done for the day.
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Glittery butterflies coming out of Alia's dress and making Jagjinder throw away his cigarette, impulsive doses of songs because as it turns out both the central characters of the film cannot sleep at night, and blatant melodrama that is worse than Star Plus soaps - the film is filled with fillers like these. The film is basically a fairytale romance with ounces of unnecessary animation all over the place. The remaining, bigger part is taken by Pankaj Kapur's idiocy, Sanjay Kapoor's ugly tomfoolery, and the writers's butterfly-infested vomit. That Alia has finally found her prince in Jagjinder and would like him to make love to her while she tries to dream a dream munching on a banana is what forms a small part of the rest of the story. The sweet-toothed bride's sister is Alia (Alia "Aila" Bhatt), an insomniac, out of the world princess whose mysterious absence of lineage is the only source of pride in her as she goes swimming at 4 in the morning and collects her father's animated dreams to stay alive. Jagjinder Joginder (Shahid Kapoor) is a handsome wedding planner with a pack of wet sawdust for brain, hired by an over-smart, unknown queen for her granddaughter's union with a shirtless jackass. Fugitives.This film proves that Bollywood has run out of ideas. Seriously, how was anyone to guess that this is a cruel joke played by Bahl on his investors and perhaps on an unsuspecting audience. And Alia, who saw Queen before she boarded the flight, was none the wiser. Shahid, Pankaj and Sanah (the Kapur khandaan) went along for an all-expenses-paid vacation. Apart from some LOL jokes when the characters resort to abbreviations like PP (pairi pauna) or FTB (father-of-the-bride), this film serves up trite.
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If you think this review is incoherent, feel free to blame it on the film. So the two of them take midnight swims, befriend a frog, go horse-riding, and befriend bugs or even better, they dance to an array of songs- like the catchy 'Gulabo' or the all-time favourite 50s ditty, 'Eena meena deeka.' This one is between Alia (Alia), who we later discover is Bipin’s illegitimate daughter (damn, one should have known) and the wedding planner, Jagjinder Joginder, JJ (Shahid).Ī happy coincidence-like Alia, JJ also suffers from a sleep disorder. The ridiculous plot, allows one real romance to also blossom. Everyone is scared shit of 'mummyji’' so they abide by what she says. This 'deal' has to go through or they will remain cash-strapped for life. Years later, Bipin’s belligerent mother decides to get his daughter, Isha (Sanah Kapur) married into a rich Sindhi family called Fundwanis (howlarious!).
Even worse, the bechari anath is an insomniac. The tycoon’s harridan mum (Sushma Seth) and ambitious wife (Nikki Aneja) do not take a shine to the child. You can defend the director’s indulgence or even forgive him for borrowing Tarantino’s Kill-Bill, part-animation, part-live narrative style to tell you the tale of an orphan girl who is given shelter by an affluent businessman, Bipin (Pankaj Kapur).
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